Three men who looked like an orchestra. This song is a masterpiece…

“Subdivisions” is a classic progressive rock song by the Canadian rock band Rush. Released in 1982 as part of their album “Signals,” the song is notable for its introspective lyrics and intricate musical arrangements. It reflects the band’s signature style of combining complex instrumentation with thought-provoking themes.

Lyrically, “Subdivisions” explores the theme of suburban conformity and the struggles of fitting into a world where individuality is often suppressed. Written by Rush’s drummer and lyricist Neil Peart, the song tells the story of a young person’s feelings of isolation and alienation in the face of societal expectations. The word “subdivisions” in the title refers to the uniformity of suburban neighborhoods and serves as a metaphor for the conformity and lack of diversity in modern society.

Musically, “Subdivisions” is characterized by its intricate and shifting time signatures, which are a hallmark of Rush’s progressive rock style. The song features Geddy Lee’s distinctive vocals and bass work, Alex Lifeson’s textured guitar playing, and Neil Peart’s intricate drumming. The synthesizer work, particularly in the song’s iconic intro, adds a futuristic and atmospheric quality to the composition.

“Subdivisions” has become one of Rush’s most beloved tracks and a fan favorite. Its themes of individuality and nonconformity have resonated with audiences, and the song’s musical complexity and virtuosity have made it a showcase for the band’s talents. It continues to be celebrated for its lyrical depth, intricate instrumentation, and its place in the progressive rock genre.